2022. Vol. 10. No. 4

Guliyeva M. A. History of the Origin of Folk Wind Instruments in Azerbaijan and the Role of Alakbar Asgarov in the Development of the Performing School

Abdrakhmanova E., Jumalieva T. Japanese Composition School of the Late 20^th – Early 21^st centuries: Representatives and Leading Tendencies

Baisakalova A. Abai’s Motives in the Works of Kazakh Composers

Musagulova G., Duisengalieva V. Creative Activity of G. A. Zhubanova in the Context of Contemporary Performing Arts

Imasheva A. Development of Accordion Performance in Kazakhstan

Muratali R. “Islamey” by M. A. Balakirev: Some Aspects of the Perception and Performance of a Masterpiece

Sarsembayeva Zh. Mozart’s “Abduction from Seral”: Performing and International Aspect of Interpretation of the Aria “Tortures of Every Kind”

Yakovlev N. On the Problem of Working Sound Material in the Musical and Sound Design of Cinema at the Present Stage

Sleymankul A. Musical and Stylistic Features of the Pieces for French Horn and Piano by A. Abdinurov

Muratuly A. Choral Poem “Zhaylauda” by Mynzhassar Mangitayev

Baltabaiuly M. Concerto for Marimba and Strings by F. Sejourne

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